It doesn’t always occur in my images, but it typically happens when I need to make panoramas. But the blue casts made by LEE Filters are some of the easiest to correct in post-processing. Every ND filter makes a color cast of one kind or another. In the image above, I used the Lee Big Stopper, which is well known for creating a deep blue cast. Luckily it’s an easy fix in Lightroom! The quickest method for removing color casts This is what happens if you white balance before placing an ND filter on your camera. But until they do, I will keep ND filters in my bag. It’s truly a shame that cameras can’t have negative ISO values so that I wouldn’t have to bring these with me. These filters are annoying, somewhat fragile, and ludicrously necessary for creating stunning images. ND filters can be forgiven for leaving horrific color casts on your photos. If you took multiple photographs to make a panorama, make sure to adjust the white balance before combining the photographs. This process is fairly straightforward and will give you good results most times with a couple of tweaks. After this, you may need to make some minor tweaks to get the right balance. Select an area that should be white, like a cloud, or the rapids in a stream to automatically adjust the white balance. The easiest way to remove the color cast from an ND filter is to use the Auto White balance selector in Adobe Lightroom. So how do you get rid of ND Filter color casts? Luckily, these are usually fairly easily taken care of in Lightroom. Even top-of-the-line ND filters will create a color cast in your images. If you’ve recently come back from your first trip out with a new set of ND filters, one of the first things to jump out will likely be the horrendous colors that are taking over your images. If you are not using Photoshop CS4 go to Layer>New Adjustment Layer> Color Balance to bring up the command.The Easy Way to Fix Neutral Density Filter Color Casts To create the adjustment layer, go to the Adjustments panel and click on the Color Balance icon. This gives you the added flexibility to revisit the command for further refinement if needed and reduces the file size compared to the Match Color approach, where work must be done on a duplicate layer to be applied non-destructively. Color Balance allows you to change the overall mixtures of colors in an image, and can be used for generalized color corrections, including eliminating a colorcast.Īpply the command as an adjustment layer. One other effective way to remove a color cast quickly is using the Color Balance command. You can even try fading the duplicate layer’s opacity for any last minute final tuning if needed. ![]() When you are happy with your adjustments, press OK to commit the change. On many photos, you’ll have a nice correction that was slider based and FAST, making the challenge of removing the colorcast pretty easy. Toggle the Preview box to check your progress and compare the before and after image. ![]() Here, this combination helps improve the model’s skin tones and intensifies the colors of the soft coral in front of her. Fade the opacity of the duplicate layer to fine tune a Match Color correction if it still is too intense. ![]() Adjust all three sliders and stop when the image looks visibly good. The result was further enhanced using the top two sliders, brightening the image some and increasing the overall saturation of the photo too. Here the overall affect was toned down using the Fade slider. Make sure Source is set to None, and check the Neutralize checkbox to remove the color cast.
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